Tag Archives: Godey’s Lady’s Book
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A Tribute to Old Maids

In a little work entitled “Our Peculiarities,” by Viscountess Combermere, there is the following fine tribute to the class of old maids:

These single women, whom it is the cant of society to ridicule, may have often postponed their own settlement in life from the highest motives; filial devotion has, perhaps, engrossed them so entirely in early life that no selfish object diverted them from its holy duties.

It was sufficient to satisfy affection and to supersede hope; for the devoted, generous child, from the intensity of her love, has felt that the future must ever be a blank, when the interest that engrosses the present is withdrawn by death; and this dreary prospect adds another motive to her tenderness.

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Sleep Talking – Godey’s Lady’s Book May 1832

This is merely a modification of somnambulism, and proceeds from similar causes, namely, a distribution of sensorial power to the organs of speech, by which means they do not sympathize in the general slumber, but remain in a state fit for being called into action by particular trains of ideas.

If, for instance, we dream that we are talking to some one, and if these organs are endowed with their waking share of sensorial power, we are sure to speak. Again, the mere dream, without a waking state of the organs, will never produce speech; and we only suppose we are carrying on conversation, although, at the time, we are completely silent. To produce sleep talking, therefore, the mind, in some of its functions, must be awake and the organs of speech must be so also. The conversation, in this state, is of such subjects as our thoughts are most immediately occupied with; and its consistency or incongruity depends upon that of the prevailing ideas being sometimes perfectly rational and coherent: at other times full of absurdity.

The voice is seldom the same as in the waking state. This I would impute to the organs of hearing being mostly dormant, and consequently unable to guide the modulations of sound. The same fact is observable in very deaf persons, whose speech is usually harsh, unvaried, and monotonous. Sometimes the faculties are so far awake, that we can manage to carry on a conversation with the individual, and extract from him the most hidden secrets of his soul. By such means things have been detected, which would otherwise have remained in perpetual obscurity.

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How to Plan a Flower Garden (1852)

Flower Gardens are of two kinds: those which are planted with flowers indiscriminately in the borders are called mixed flower gardens; and those which are of a regular shape as shown in the figures, and which are planted in masses of flowers of one kind, are called geometrical flower gardens.

Plans for Flower Gardens - Godey's Lady's Book, 1852

Plans for Flower Gardens – Godey’s Lady’s Book, 1852

Mixed flower gardens require comparatively little care to arrange and keep in order, as the principal objects to be attended to are to have the tallest plants placed furthest from the eye, and to keep the plants sufficiently distinct to prevent them from being drawn up for want of room.

The geometrical flower garden, on the other hand, requires great care in its arrangement; for, as the plants form masses of color, if the colors do not harmonize with each other, they produce a very bad effect.

It is, therefore, necessary to draw out a plan for a flower garden, and to color it before it is planted, as then, if the colors do not harmonize, they can be changed with little trouble.

Plans for Flower Gardens - Godey's Lady's Book, 1852

Plans for Flower Gardens – Godey’s Lady’s Book, 1852

In a geometrical flower garden, the colors must be contrived so as to produce a striking effect contrasted with each other, and the plants must be so chosen as to be nearly of the same size, so that the garden, when seen at a distance, may have the effect of a Turkey carpet.

The walks in a geometrical flower garden are either grass or gravel, but as in the latter case they must be bordered with box, the garden generally looks better when the beds are on grass.

Source: Godey’s Lady’s Book, March, 1852 – Plans for Flower Gardens

Godey’s Lady’s Book— Louis Antoine Godey began publishing Godey’s Lady’s Book in 1830. He designed his monthly magazine specifically to attract the growing audience of literate American women. The magazine was intended to entertain, inform, and educate the women of America.


Howe

The Association for the Advancement of Women in 1896

Among the hundreds upon hundreds of women’s organizations, of whose making there is no end and into whose many forms the much-talked of “woman movement” has crystallized itself, there is one unique and interesting society of which little is heard, though it is of ripe age–twenty-two years–and counts its membership in every section of the country.

From Canada to Florida, from Maine to California, are women to whom the initials “A.A.W.” stand for a new inspiration in their lives, and among its hundreds of members are included women of world-wide fame, from its president, Julia Ward Howe , author of the “Battle Hymn of the Republic,” down. From the fact that its working methods are somewhat unlike those of most women’s clubs, the only time when the Association for the Advancement of Women challenges universal attention, is when it calls its members from the East and the North, the South and the West, to its annual convention in some representative city. For the rest of the year it works so quietly–though none the less effectively –that to many of the outside world a brief account of the Association, its membership, and its work, will come as interesting news.

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A Picture in the Room

A distinguished writer has said somewhere of the portrait of a beautiful female, with a noble countenance, that it seems as if an unhandsome action would be impossible in its presence.

Most men of any refinement of soul must have felt the truth and force of this sentiment. We have often thought that the picture of a beloved mother or devoted wife, hung up in the room where we spend our leisure hours, must certainly excite a mighty influence over the feelings and thoughts.

Cowper’s picture of his mother was a living presence, whose speaking countenance and beaming eye appealed, as no living mortal could, to his inmost soul, and stirred its profoundest depths.

But what is it that gives this power to the inanimate resemblance of departed ones? Their virtues, their moral graces and excellencies, as remembered by the affectionate survivor.

It may seem an odd thought, but we cannot help suggesting it to every female reader— to every sister, wife, and mother— that it is a worthy ambition for each of them to labor to be, both now and when dead, that picture in the house before which vice shall stand abashed, confounded, and in whose presence every virtuous and manly heart shall glow with every honorable and lofty sentiment, and be irresistibly urged to the love of goodness and truth.

Godey’s Lady’s Book— Louis Antoine Godey began publishing Godey’s Lady’s Book in 1830. He designed his monthly magazine specifically to attract the growing audience of literate American women. The magazine was intended to entertain, inform, and educate the women of America.

Image details: This painting belongs to a set of four portraits of the daughters of Louis XV of France, symbolizing the four elements (Mesdames de France). The paintings, ordered by Louis XV in 1749 to decorate the south wing of the Palace of Versailles, were executed by Nattier between 1750 and 1751.